cǎihuà 彩畫
https://architecturasinica.org/keyword/k000004Terms
Note (brief)
Painted decoration on architectural surfaces and objects, including clothing, utensils, boats, and chariots, created using polychrome colorants. In Chapter 14 of the Yingzao fashi (1103), the craft of applying polychrome painted decoration on architectural surfaces (caihuazuo 彩畫作) is categorized as a specific division of architectural works.
指衣飾、器物、舟車、棺椁或建築等等表面施用的多彩裝飾。《營造法式》(1103年) 卷十四,將在建築表面裝飾彩畫的工藝單獨列為一類營造工種。
Related concepts
Note (full)
In traditional Chinese literature, caihua can be used to refer to the decoration of clothing, utensils, boats, and enamel. It also refers to the method of decoration applied to the surface of building components, which were controlled by sumptuary laws. An example from the Records of the Sui (Suishu 隋書) 11.218 reads: “The emperor said, “The system of forms (xingzhi) is based on this. From today it is first established and must be followed for frugality. The people who use embroidery and weaving may apply polychrome paint and gold pigment. Those ornamented with pearl and jade [should] make use of mother-of-pearl." In the Six Canons of the Tang (Tang Liudian 唐六典)we find:“其棺椁禁雕镂、彩畫、施戶牖欄檻者,棺內禁金寶珠玉而斂者. In the Histor of the Song (Songshi 宋史) we also see: "......橫貫大木以為軸,夾以兩輪,輪皆彩畫". We found a few examples of wall paintings referred to as “caihua” in traditional Chinese texts. For example, the Records of the Han (Hanshu 漢書)" has "hua tang(畫堂)" and "hua shi(畫室)". Hua tang refers to the "hall of paintings in the palace," and "hua shi" means the "room of carving and painting." Tang dynasty Yanshi Gu (顔師古) commented that the "paintings" and "carvings" here should be murals. References in other literature include: the Pearl Forest of the Dharma Park (Fayuan zhulin (法苑珠林): “如今壁上彩画所作” and Comments on the Famous Painters of the Song Dynasty (Songchao minghua ping 宋朝名畫評): “彩画列壁”.
彩畫在古代文獻中又通 “采畫”,既可以指衣飾、器物、舟車、棺椁的彩畫裝飾,也指施于建築構件表面的裝飾方式。例如《隋书》:“帝曰:形制依此。今天下初定,務從節儉。應用繡、織成者,並可彩畫,金色宜塗,珠玉之飾,任用蚌也”。《唐六典》:“其棺椁禁雕镂、彩畫、施戶牖欄檻者,棺內禁金寶珠玉而斂者。”《宋史》:“……橫貫大木以為軸,夾以兩輪,輪皆彩畫。” 古代文献中有一些壁画也称作彩画,例如《汉书》记有“画堂”和“画室”。“画堂” 意为 “宫殿中彩画之堂”,“画室” 意 “雕画之室”,唐颜师古推断这里的“彩画” “雕画” 应该是壁画,又如《法苑珠林》中写有 “如今壁上彩画所作”,《宋朝名画评》有“彩画列壁”的说法。
Works Cited
Any information without attribution has been created following the Syriaca.org editorial guidelines.
- 1 李, YZFS, 2.10a-b.; 李, 《營造法式》彩畫製度研究, 76-77.
- 2 GUO, A Visual Dictionary of Chinese Architecture 中國建築英漢雙解辭典, 21.
- 3 FU, Traditional Chinese Architecture: Twelve Essays, 350.
Broad Match: Architectural Ornament
How to Cite This Entry
Bibliography:
“ 彩畫 cǎihuà .” In Architectura Sinica, edited by Tracy Miller. Entry published May 15, 2019. https://architecturasinica.org/keyword/k000004.About this Entry
Entry Title: 彩畫 cǎihuà
Authorial and Editorial Responsibility:
- Tracy Miller, editor, Architectura Sinica
- ZHUGE Jing 諸葛净, associate editor, Architectural Terminology
- REN Sijie 任思捷 and YANG Wantian 楊莞闐, entry contributors, “ 彩畫 cǎihuà ”
Additional Credit:
- Website coordination by Yuh-Fen Benda
- Initial research and revision by REN Sijie 任思捷 YANG Wantian 楊莞闐
- Peer review by ATTCAT 2018
- English proofreading by Aurelia Campbell
- Chinese proofreading by ZHUGE Jing 諸葛净
- Data entry and revision by Yuh-Fen Benda, Tracy Miller
- Adding various languages and revising title statement by SUN Zheng 孫正
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